British journal of psychology (London, England : 1953)
On how people describe paintings with mirrors.
Marco Bertamini, Mariapia Lucia, Sophia Diaz, Alessandro Soranzo
Published: 202510.1111/bjop.70042
Abstract
Since antiquity humans have been fascinated by mirrors; yet, when asked to predict what is made visible in the reflection, or to interpret a scene with a mirror, observers make systematic errors. Many observers claim that a character in a scene is lo…
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